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Microphone data sheets
ACCORDION:
GLM-100 (2 or 3)) taped to instrument.
CM-700 or CM-200A.
ACOUSTIC BASS:
Close miking: GLM-100 or CM-200A.
Distant miking: CM-700.
ACOUSTIC GUITAR:
Recording: CM-700, GLM-100 or SASS.
Reinforcement: GLM-100, CM-200A.
ALTAR TABLE: PCC-170W or PCC-130W.
AMBIENCE:
SASS or PZM.
AUDIENCE:
PCC-160, CM-700 or PZM.
BANJO:
CM-700, CM-200A or GLM-100.
BASS:
See Acoustic Bass.
BRASS:
Recording: CM-700. Reinforcement: CM-700, CM-200A, or
GLM-100 attached to bell.
CHOIR:
Recording: CM-700 (less reverb, natural) or SASS (more reverb, brighter). Reinforcement: CM-30, CM-31 or CM-700.
CONFERENCE:
Multiple mics: PCC Series or MB Series (tabletop) or LM Series (lectern mics).
Single mics: PZM Series, Sound Grabber II.
CYMBALS:
CM-700 (for lowest noise) or GLM-200
(for brighter highs).
DRUMS:
Snare and toms: CM-700 or GLM-200.
Kick Drum: CM-700, GLM-100 or PZM-30D.
Overhead cymbals: CM-700 or GLM-200.
Single-mic pickup: CM-700 overhead, PZM on drummer's chest, or GLM-100 clipped to right side of snare drum, 4 inches over the rim.
ELECTRIC GUITAR:
CM-200A or CM-700.
FIDDLE:
CM-700.
Singing fiddler: CM-200A.
Clipped to fiddle: GLM-100 or GLM-200.
FILM:
Lavalier: GLM-100.
Ambience: SASS.
FLUTE:
CM-700, or GLM-100 taped between mouthpiece and holes.
GRAND PIANO:
CM-700 or PZM-6D.
GUITAR:
See Acoustic Guitar or Electric Guitar.
HARMONICA:
Close: CM-200A.
Distant: CM-700.
HARP:
Recording: CM-700 or SASS.
Reinforcement: GLM-100 inside soundboard.
HI-HAT:
CM-700 or GLM-200.
INTERCOM:
Outdoor: PZM-11LLWR.
INTERVIEWS: Outdoor: CM-200A with
windscreen.
Lavalier: GLM-100.
Table-top: Two PCC-170.
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LAVALIER: GLM-100.
LECTERN:
1. LM Series
2. PCC Series.
MANDOLIN, BOUZOUKI, DOBRO:
CM-700, CM-200A, or GLM-100 taped to instrument.
MEASUREMENT: GLM-100.
MINISTER: Lavalier: GLM-100.
Pulpit: LM-201, LM-300A, LM-301A.
NARRATION RECORDING:
CM-700 with a hoop-type pop filter.
NEWS/SPORTS REPORTING (FIELD): Headworn: CM-311A, CM-312A.
Stand-mounted or handheld: CM-200A, CM-310A.
ORCHESTRA, SYMPHONIC BAND, PIPE ORGAN:
CM-700, PZM-6D, SASS.
PERCUSSION:
1. CM-700. 2. CM-200A.
3. GLM-100, GLM-200 or PZM Series.
PIANO:
See Grand Piano or Upright Piano.
PULPIT: Lavalier: GLM-100.
On pulpit: LM-201, LM-300A, LM-301A.
SAX:
Recording: CM-700.
Reinforcement: CM-200A, or GLM-100 clipped to top of bell
facing sound holes.
SECURITY AND SURVEILLANCE:
XLR connector: PZM-10.
Pigtail connector, line-level: PZM-10LL.
Screw-terminal connector: PZM-11.
Screw-terminal connector, line level:
PZM-11LL.
Ceiling or overhang directional mic: MB-3.
Water resistant: PZM-11LLWR.
SPEECHES:
Talker wanders: GLM-100 as a lavalier mic, or CM-312A headworn mic.
Talker remains at lectern: LM Series, PCC Series.
THEATER, DRAMA, OPERA, MUSICALS:
Stage floor: PCC-160. Hanging: CM-30 CM-31. Body: GLM-100.
TOM-TOMS: See Drums
UPRIGHT PIANO:
1. CM-700.
2. GLM-100 taped to soundboard.
VIDEO: Lavalier: GLM-100.
Ambience: SASS.
Home video: Sound Grabber II.
VIOLIN:
CM-700. Also see Fiddle.
VOCAL RECORDING: Overdubs: CM-700 with
hoop-type pop filter. Live: CM-200A.
VOCAL REINFORCEMENT:
Best sound: CM-200A.
Best gain-before-feedback and isolation:
Headworn: CM-311A, CM-311AE.
Stand-mounted: CM-310A, CM-310ASW.
WEDDING: Lavalier: GLM-100.
On floor: Sound
Grabber II or PZM-30D.
WOODWINDS: Recording: CM-700. Reinforcement: GLM-100 clipped to
instrument.
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