Hi Sbird,
You have the Mixer and the Speakers, now you need a Crossover / Speaker Processor and Power Amps.
Lets check out some options available to you.
1) If you are just planning on running these speakers "Full Range"
and not adding Subs at a later time, then you could get a Power Amp
such as a CE4000 that has a (HPF) High Pass Filter and (LPF) Low Pass Filter.
Set the HPF to 40 or 50Hz and leave the Low Pass Filter Flat.
I would then run the amp Bridged at 4 Ohms.
By running Mono and connecting your speaker cabs together in Parallel
and to the Amp, instead of two 8 Ohm speaker cabs, the Power Amp will
now see a single 4 Ohm Load.
The CE4000 is rated at 2800 Watts (RMS) 4 Ohms Continuous in Bridged Mono.
Since both cabs are connected together they will share the output and
each cab will get 1400 Wrms.
Your Cabs are rated at 600 Watts Continuos (RMS) and
with a formula of Power to Speaker ratio of approx. 1.5 to 2x's
the Continuous (RMS) your cabs should be powered with between 900 and 1200
Watts RMS.
Your 2 cabs together at 4 Ohms (not single cabs at 8 ohms) and
because together they now share the output, now need between 1800 to 2400
watts RMS / Continuous.
The CE4000 Bridged puts out 2800 Watts RMS / Continuous, so it is 200
watts above the 2x rating of 2400 watts, but if you set your "Gain Structure"
correctly and do not Clip the amp's inputs, you should be OK.
The JBL's will take it.
2) You get a Crossover or a DriveRackPA or 260 and use them to Process your
Output from the Mixer.
For a little more than the cost of an Analog Crossover you can get a
DriveRackPA, a little more than a DRPA and you could get a DriveRack 260.
The DriveRack will set your EQ (RTA), Parametrics, Crossover,
Limiter, Anti Feedback, Delay's and let your speakers sound great.
Also help if you add Subs later and or Bi-Amp your JBL Cabs.
As far as Bi-Amping your JBL's, you will need a delay between your
horn and drivers. Another DriveRack feature is that you can save
to a preset each particular adjustment that you make from room
to room, Venue to Venue.
When you return to that room, Venue Bar, etc. you pull up that preset
( I name my preset after the Venue, like So and so's sportsbar)
and you are good to go!
You deserve to check this out for yourself.
When I was in your position it is what I did and it was one of the single best
decisions that I made for my Sound!
You could then get any amp that fits your power needs.
Such as a XS900 Power Amp that has no Filters, HPF or LPF but that's
ok, because your Crossover or DriveRack will handle the Filters.
The XS900 is rated at 2500 Watts RMS in Bridged Mono, so in Parallel each of
the JBL's would get 1250 Watts Continuous.
I use the XS900 and I also have the CE4000 on my Subs
3) To run your JBL's in Stereo then you need a Power Amp
that will put out between 900 to 1200 watts per Channel at
8 ohms For #1 above you need a Power amp with Filters or at least a HPF.
For #2 above you just need a Power Amp.
As far as your friend's recommendation of a Stereo vs Mono PA system.
I do not see a real reason to beat yourself up over it and your pocket book
or purse as the case may be, to make this happen.
Unless you have some special stereo effects needed with your music
or you play a lot of canned music, such as a DJ,
in which Stereo could be a nice effect.
If you play "Live Music" then Mono is just fine.
I have Stereo tops and Mono Subs in my R&R Band, but I only
have Stereo tops because I happen to have the Amp to drive my cabs that way.
I would have no problem running pure Mono and many do!
I have a Mackie 24/4 VLZPro Mixer and everything is fed wether straight to L&R or via my Sub Faders
ALL channels end up going evenly to the Left and Right Main Fader.
In other words there is no Stereo imaging in my PA, it's what you could say is a MONO / STEREO. You know what I mean?
I do not have Channels fed more to the Left or Right, both sides
are getting the exact same feed, thus a Mono feed to a per channel amp.
You and I can call that Stereo tops, but it really is not!
Not what you truly think of as Stereo, as is the case when you put on some Headphones and listen to a CD,
and hear Stereo nuances that were created in the Studio and panned Left and Right.
I'm sure that you understand what I'm saying.
I see that you play Acoustic Guitar and sing.
What type of Music do you / Band play?
For either scenario listed above, now is the time for you to decide
what the future holds for you and your PA's needs.
It will help you in your decision's today, and in the Future.
I hope this helps,
Bud
PS. I need to add that there are others that would say, that you can rent a $30,000 PA and Engineer per gig for less than it takes for you to do it yourself.
Decisions,decisions,decisions.
There are many here to help, as well as at other Forums such as Pro Sound Web
should you embark on your Quest for Great Live Sound.
We are ALL after the same thing!!!
Here is a link to PSW, the Lounge is a good place to learn.
PSW The Lounge